Tim Barry

Tim Barry

Andy Thomas' Dust Heart (Solo), The Swindlin' Hearts

Fri, February 16, 2018

Doors: 8:00 pm / Show: 8:30 pm

$13.00 - $15.00

Off Sale

This event is 21 and over

Tim Barry
Tim Barry
Right now, Tim Barry is detoxing. Not from drugs or alcohol, but from his own music. "When the record’s finally done, and the master is approved, I erase every file that’s been sent to me and I throw out all the CDs with all of the rough mixes. I get rid of everything," says Barry. And that’s exactly where he’s at, in the middle of cleanse from his own work. But on September 8, he’ll sit down with his new record, High On 95 (Chunksaah Records), one last time. And like everyone else listening to it that day, it’ll be for the first time. "I generally never listen to the record again except one time on the day it comes out," says Barry. "That’s when I actually hear the record from the perspective of the people who are into it." And what those people will hear—along with the artist himself—is a record that explores the human condition in classic Tim Barry fashion.

"Slow Down" opens the record and sees Barry tearing at his guitar strings while weaving a tale about alienation, shame, and getting the hell out of Brooklyn. His sister Caitlin Hunt’s lonesome violin joins him on his journey, as Barry’s burly voice lumbers forth, admitting faults ("I’ve always been thirsty / I’ve always been a wreck") but never becoming defeated. It’s a song that sets up the themes that will be touched on time and again throughout High On 95: Fear, loneliness, pain, and isolation. But for all these anxieties, Barry never wallows. Instead, he finds hope in the journey.

"If I’m talking about real life shit, just getting things off of my chest, if they don’t have an element of hope, then there’s no use in writing it," says Barry. And for every moment that aches with a feeling that borders on defeat, it’s flanked by Barry’s perseverance and unbreakable work ethic. While there’s a song like "Running Never Tamed Me," which Barry says caused his two daughters to break down crying the first time they heard it, there’s a song like "Riverbank," which carries a foot-stomping swagger that invites you into the anthemic ruckus. Against a steady backbeat, vamped piano, and Neil Young-esque, single-note solos, Barry becomes the ringleader of a triumphant chorus, guiding his collaborators to the song’s apex.

"I become the conductor," says Barry, explaining that his process of leading his assembled studio band involves a whole lot of humming what he hears in his head and some wild, impassioned gesticulating. "All of the parts that are added to the recorded songs are my humming between lyrics," says Barry, noting that everyone else in his camp is a "talented, pro musician" and that he trusts them to fill in the gaps—not that he needs much help.

Like all of his albums, High On 95 was recorded by Lance Koehler at Minimum Wage Studios in Richmond Virginia. And that’s because, by now, Koehler knows exactly how to record Barry’s performances. "it’s just one take," says Barry, "Lance knows the more I do it, the worse it’s gonna get. You lose something when you play it more and more. So get it right." And that’s exactly what Barry did. High On 95 carries the raw, emotional catharsis that’s become synonymous with a Tim Barry album. Every syllable exits his mouth with a fire propelling them, the kind of passion that can’t be forced or faked. Not that there was ever a reason to expect anything less.
Andy Thomas' Dust Heart (Solo)
Andy Thomas' Dust Heart (Solo)
Written by Damien Burford: Life this last year has not been easy for Andy Thomas, the mastermind and namesake behind Denver, Colorado's Andy Thomas' Dust Heart. Thomas watched as his mother battled breast cancer, while dealing with the sudden loss of his former Tin Horn Prayer co-front-man, Mikey Herrera. Thomas took a year off from drinking, focused on songwriting, and learned to focus his energies on creating better art.

That year has turned into the new LP from Andy Thomas' Dust Heart, NO POETS. No Poets is a polished record of a year exploring the challenges of life and learning what makes it important.

“This is my most "honest" record. I opened up and touched on some fears and anxieties that have been bubbling up for awhile.” Thomas also added, “Losing people and having people I care about be sick has just shown me that life is precious and too short. My mom, told me, after her mom died, that "life is too short to be petty." Mike's passing taught me the same thing. Love your people and appreciate the moments when you have them. It took me a while to realize this but I'm glad I did.”

Thomas has been around the block when it comes to playing in bands, having been a member of Denver's Only Thunder, Ghost Buffalo, The Knew and too many others to mention. Tin Horn Prayer will always be the one that got away, "Tin Horn Prayer stopped before we reached our full potential. I've had people all over the world talk to me about that band, and I'm proud that we touched as many people as we did, but I'll always wonder about what might have been.”

Reeling from the loss, Thomas' focus has instead shifted onto his one time side project, Andy Thomas' Dust Heart, “This is the first band I've ever been in that I know won't break up. I won't kick myself out of my own band. [laughter] I mean, probably.”

“I never thought this would be something I spent so much time on. When Tin Horn finally ended it was a weird realization that, yeah, 'you are exclusively writing songs for Dust Heart now.' Last year we played on the Flogging Molly cruise ship, did both Daytrotter and XM Radio sessions. We toured Europe and did a hundred other things that I thought would never happen to this project.”

How does NO POETS differ from Thomas' previous solo record? “No Poets is the first release I wrote with the full band in mind. There are a few solo songs on the record, but, ultimately, I thought about the people I am playing with and how to best use their strengths. Before I would write a solo song and try to "fill in the blanks" in the studio."

ATDH includes Tyler Breuer from The Knew along with Chuck Coffey & Rob Burleson from SPELLS. But most importantly DH includes, “My wife, Jen GaNun, who sings and plays accordion; comes from a dance background where everything is dissected and rehearsed and you are always perfecting. She really taught me to not take such an insouciant, punk-rock, approach to everything and not saying things are "good enough." It's an approach that has spilled over into other parts of my life and is proving to work!”

In the midst of all this change, Thomas challenged himself to stay sober for one whole year. “My decision to do without booze for a year worked for me, but it may not work for everyone. I spent about fifteen years binge drinking and making bad decisions, while drunk. That's enough for me. I just realized that being hungover, and "dull" doesn't work for my life anymore. I had a beer two days ago to celebrate me pulling it off and I'll casually have one every now and again, but I'm going to continue to stay focused and alert as possible.”

“There is a loneliness in sobriety that allows you to truly think about what you're feeling and doesn't offer a way to "mute them. Being sober just gave me more time and focus to be able to play and write music. I'm a better guitar player than I was a year ago, and I essentially wrote and recorded two albums in that time. Sure, I did these things before, and plenty of people write records while "under the influence" but the clarity I had certainly helped.”

During that time it gave Thomas a chance to process his feelings of his lost bandmates. “I think about Mikey a lot. He's still with me in a lot of ways. There are a few songs and lyrics on this album that address him, along with Camden Trendler [who passed in 2014], and their untimely passings.”

“Mike was very important to me in a lot of ways and we didn't always get along. I thought I'd play music with him the rest of my life, so the fact that that won't happen is pretty gutting to think about. I have a comforting thought that Mikey would be proud of me for continuing to write and play music.”

Still there is an upside to Thomas' work. It's not longer gloom and doom, as it once seemed. “Ten years ago, when I wrote Tin Horn Prayer's "Crime Scene Cleanup Team," I was alone in my bedroom. Life was pretty bleak so I had a different view on death. I'm at a place in my life where I care about a lot of people, I'm very content and I'm always excited about what comes next, so the thought of having that cut short is certainly something I'm afraid of.” I'm less fascinated with death these days though and care way more about life!”
The Swindlin' Hearts
The Swindlin' Hearts
Gettin' Rad
Venue Information:
7 S. Broadway
Denver, CO, 80209