Horisont

Horisont

Stonefield, Dirty Streets

Mon, April 10, 2017

Doors: 8:30 pm / Show: 9:00 pm

$15.00

This event is 18 and over

Horisont
Horisont
Members
Axel – Vocals
Charles – Guitar
David – Guitar
Magnus – Bass
Pontus – Drums

May, 2016.
Horisont sign worldwide deal with Century Media Records. On the eve of their 10 year anniversary Swedish hardrock band HORISONT are pleased to announce the next chapter in their illustrious career by putting pen to paper and confirming a worldwide deal with Century Media Records. New album in progress, stay tuned!

BIOGRAHPY, August, 2015.
Big of moustache and tight of trouser, Horistont drink from the bottomless wellspring of inspiration that’s been bubbling up through the layers of time since the birth of the blues – or Blue Oyster Cult at the very least.

Theirs is a sound that harks back to the dawn of the 70s, when a new clutch of heads decided it was time to harsh the 60s hippies’ mellow and paint it black; those years when the twin spirit of hard rock and prog rose to redefine sound.
In their earlier years Horisont looked and sounded like the last guys standing at the world’s wildest and darkest party; these are the tight bro’s who laced the punch, torched the dance-floor and rode off into the night on their roaring hogs in a puff of green smoke. “Put the five soldiers of Horisont in a time machine 50 years ahead of time and we would still rock the silver socks of any future man, woman or robot,” frontman Axel once declared.

This quintet’s rock trip might be retro but their songwriting is timeless; a good melody lives forever and Horisont have songs in abundance. New album Odyssey is exactly as its title suggests: an epic journey into the known. A sonic trip. A mighty voyage of sound. You could even call their fourth full release a concept album – although they themselves prefer “space saga”. Either way it’s a brave band who open their album with a ten minute-long track, yet on the album’s title track Horisont dive straight into the deep end, delivering space-rock with all the dexterity and deftness of the very best prog rock’s finest, such as early Yes or Kansas.

“I think it was Tom, who during a tour, said that it would be fun to write a ten minute song,” says bassist Magnus Delborg.“When that song took shape the idea of a cohesive album was born. Most of the songs are in some way connected to the bigger theme, so – yes – it is a concept album. It concerns a supreme race of mysterious being who experiment with the creation of life and start to populate planets around the universe. And this is the story of one of those planets…”

Formed in 2006, Horisont have spent close to a decade kicking ass, taking names and establishing themselves at the forefront of the Scandinavian retro rock revival (see also Witchcraft, Graveyard etc), injecting their sound with early-Status Quo-styled boogie blues, prog complexities, NWOBHM swagger and fire-spitting choruses set to scorch the eyebrows of the first ten rows. This is music made without irony, unafraid to acknowledge an allegiance to past greats such as Deep Purple, Black Sabbath, Cactus, Thin Lizzy, the aforementioned Yes and Judas Priest.

Their first two albums Tva Sidor Av Horisonten (2009) and Second Assault (2012) earned Horisont a special place in the rock underground, while Time Warriors (2013) was a no-holds barred demonstration of classic rock and metal combined with a fearlessly inventive streak, and took them to a wider international audience. And now comes Odyssey, a bold leap into more expansive and ethereal musical territory. It’s the band’s first to feature native Australian and former Church Of Misery guitarist Tom Sutton.

The new line-up change sees a definite gear-shift too. Here Horisont play as if their lives depend upon it: dueling guitars do battle in an endlessly thrilling interplay over a rhythm section that gallops like wild horses across the frozen tundra. And cutting through the middle, Axel Söderberg’s howling heartfelt vocals delivered with a space-age sense of soulfulness.

There are surprises aplenty throughout – witness the melodic Jethro Tull-style breakdown in the middle of ‘Blind Leder Blind’, flamenco/folk flourishes on ‘Flying’, the fist pumping classic metal anthem of ‘Back On The Streets’, the almost Ziggy Stardust-esque ‘Beyond The Sun’ or the elegiac eight minute long album closer ‘Timmarna’, which evokes the awesome beauty of a dying star careering off into darker distant universe. Then there’s the majestic former single ‘Break The Limit’, which was accompanied by a gloriously grainy 1980s VHS-style video, complete with much split screen action. This is expansive, emotive music that’s far more than five hirsute men creating a voluminous ruckus.

Odyssey was recorded in Studio Kust in Gothenburg with producer by Henrik Magnusson. It was, the band explain their most harmonious creative period ever.“No Horisont recording session has ever been this good,” admits Delborg. “We had worked with Henrik on our ‘Break The Limit’ single and knew that he was our guy. All the basics where recorded live in just a couple of days. Then we spent a lot of time on the intricate details.”

The artwork for Odyssey harks back to both classic sci-fi paperbacks and prime prog rock albums of the 70s. “We wanted a slightly disturbed, Asimov-esque science fiction cover that told the story of Odyssey,” says drummer Pontus Jordan. “Tom knew this guy who was really in to old science fiction stuff and he had done the cover for The Order Of Israfel. So we meet the guy and it was the one and only Henrik Jacobsen. And he really nailed it.”

Strap in, sit back and let the Odyssey begin…
Stonefield
Stonefield
It all started in a shed.
More specifically, it started in a shed on a family hobby farm in a tiny rural township in Victoria, Australia.
The four Findlay sisters, who’d go on to become the earthen psych-rock opal that is Stonefield, had been granted their wish of a drum kit by their parents, whose Zappa, Hendrix and Zeppelin records had long been the shared soundtrack of the household. Amy – the oldest Findlay, though at that time just 15 – took a particular shine to the kit and soon began lessons, her practice sessions echoing out across the family’s acreage. It wasn’t long, however, before her sisters were drawn back into the shelter as, one by one, they found their own instruments to wrangle with. Hannah, then 13, started on guitar. Sarah, 12, took on the keyboard. Holly, just seven years old, listened in on her sisters practising and, perhaps hearing that something was missing, asked her father for a bass.
Now the question is: listen to Stonefield and try to figure out what else the Findlays could possibly be doing.
Stonefield’s first song ‘Foreign Lover’ was recorded for a project Amy was working on as part of her tertiary studies. When they arrived home from the studio that day, the siblings’ mother suggested they enter the track in triple j’s Australia-wide unsigned band competition, Unearthed High. The deadline for entries was that night. They weren’t convinced they had a chance, but decided to give it a shot.
Soon enough, ‘Foreign Lover’ was all over triple j, followed shortly by infectious rock stomper ‘Through The Clover,’ the song they were given the opportunity to record as part of the competition’s first prize. Stonefield was invited to showcase at the inaugural One Movement music and arts conference in Perth, which resulted in [renowned band booker] Martin Elbourne, inviting the band to play the 2011 Glastonbury Festival on the spot.
Over the next two years, the girls wrote and released their second EP Bad Reality. They released their debut self-titled album in October 2013. It entered the AIR charts at #6 and the ARIA charts at #21. The three singles released from the album, including Put Your Curse On Me, received immense support from triple j, and the Southern Cross Network, including MMM.
The album was well received by both the industry and general public. Such was the demand that Stonefield embarked on a national tour, spanning 22 dates and 5 states. The second single Love You Deserve, took up a life entirely of its own, and the band set out on yet another tour.
By this time, the international market had caught wind of the incendiary band from rock journo heaven, and the girls headed to the UK during May to play showcases, as well as Dot to Dot festivals across the UK. In November 2013, Stonefield won the inaugural Age Music Victoria Award for Best Regional Act.
After a huge amount of touring the country last year, 2015 kicked off with the band being awarded 'APRA Rock Work Of the Year' for their song 'Love you Deserve'. Stonefield have secured the support slot for one of their idol bands Fleetwood Mac' later this year. Finally at home the girls have spent this year working on their second album; produced by Australian music legend 'Kram' from Spiderbait. The first taste 'Golden Dream' is an exciting glimpse of the new music to come.
Dirty Streets
Dirty Streets
The Dirty Streets are a young band from the Memphis area who are an obvious product of digging on the likes of MC5, Rolling Stones, James Brown, Cactus, Humble Pie & the Faces.
Venue Information:
Hi-Dive
7 S. Broadway
Denver, CO, 80209
http://www.hi-dive.com/